During an earlier era of horrendous unemployment, in 1934, the Mount Street Club was established in Dublin to develop innovative solution to the poverty resulting from unemployment. During the war years it had 6,000 members; they were involved in running a farm in Clondalkin and allotments in Merrion and Sydney Parade, and earned “tallies” for… read more +
It may be tough out there, but Irish theatre is responding with hard-nosed good sense. With funding cut, there’s a new focus on what audiences want. And in times of recession, as Michael Colgan says, they want entertainment. Here are ten shows in 2013 that look likely to entertain, and may well inspire.
Recent Irish theatre has lacked a master imagination: it’s too long since we have seen a new play to rival the best of John B Keane or Brian Friel or Tom Murphy. Or so I wrote this time last year, reviewing the theatre of 2011. In 2012, Irish theatre found a master imagination again. And… read more +
In late September, 1843, Charles Dickens was sent a recently-published report on child labour in Britain. It enraged him. He set about writing a response; six weeks later, he was finished. It was published on December 19 and was an instant success. On Christmas Day alone, it sold 6,000 copies
She was “Ireland’s greatest living writer,” but had been forgotten by the time she died. She was the quintessential New Yorker, but her writer’s eye cast constantly about the Dublin of her childhood. She was famous for her independence of mind and of lifestyle, but she lost both as she gradually descended into bewilderment.
Dublin’s fringe festival, Absolut Fringe, is always a bewildering mass of entertainment, art, experiment and self-indulgence. Here are some suggestions for finding your way to the best of it. Go on a date.
I’ve an essay-cum-investigation on the Smithfield horse fair in the current (summer) issue of the Dublin Review. It’s not online but can be bought here or in bookshops. One of my previous pieces for the Review, on the slow decline of the Irish language, is online here.
Almost a century ago, WB Yeats attempted to revolutionise the modern theatre with a concept so simple it was audacious: he would write plays designed to be staged in people’s drawing rooms.
Patrick FitzGerald first thought his moment had come in the early 1990s, when he was offered a lead role in a Hollywood rom-com. And then one of the casting agents saw a preview of a new film, a road movie about two women rebelling against the system, which featured a show-stealing cameo by an unknown… read more +
It was a year dominated by austerity, elections, emigration and unemployment. And yet the key event in Irish theatre this year was one of great ambition and hope. At a time when the education system is buckling and prospects for graduates are the worst since the 1980s (and could well surpass that), Ireland’s first ever… read more +