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Lives in black bags. An investigation into the care system

My investigative series for RTÉ’s Drivetime on children in care is now on Soundcloud. This was funded by the Mary Raftery Journalism Fund. An accompanying essay, consisting of oral histories, was published in The Dublin Review 53, and is available here. The Sunday Times published a companion opinion piece.

Filming the theatre: NT Live & the Abbey

“My dream,” says Fiach Mac Conghail, director of the Abbey, “would be to have The Plough and the Stars during Easter Week 2016 broadcast globally. It’s a no-brainer.” Whatever about staging Sean O’Casey’s anti-heroic 1916 play at the Abbey during the centenary celebrations, broadcasting it globally? Just a few years ago, such an idea would… read more +

‘The whole place stinks of corpses’ John Calder & Beckett’s Endgame

January 29 2014: John Calder’s Godot Company is back on tour, with Happy Days. This article was written for the Irish Independent on the occasion of their tour of Endgame, in September 2009. See also this article for Le Monde Diplomatique. * “The whole place stinks of corpses,” says Hamm. “The whole universe,” says Clov…. read more +

From street to stage: interview with Phil Kingston (2009)

Phil Kingston was in his first year at London’s prestigious Central drama school when a senior staff member gave him some sage advice. “You can be a musician and a smackhead, but you can’t be an actor and a smackhead.” Kingston was a heroin addict. He paid for his addiction with his commission from work… read more +

From the archive: An interview with Ulick O’Connor, Irish writer

Ulick O’Connor, once famous for something literary, vaguely remembered, sits in his three-storey Victorian home in Rathgar, surrounded by books and mementos. He writes, still, and manages his archives, and fulminates about the lies and ineptitude of those in power, and involves himself in theatre. He is welcoming but tired. “I’ve had a terrible three… read more +

Theatre: Ten Shows for Twenty Thirteen

It may be tough out there, but Irish theatre is responding with hard-nosed good sense. With funding cut, there’s a new focus on what audiences want. And in times of recession, as Michael Colgan says, they want entertainment. Here are ten shows in 2013 that look likely to entertain, and may well inspire.

The theatre of 2012

Recent Irish theatre has lacked a master imagination: it’s too long since we have seen a new play to rival the best of John B Keane or Brian Friel or Tom Murphy. Or so I wrote this time last year, reviewing the theatre of 2011. In 2012, Irish theatre found a master imagination again. And… read more +

What the Dickens

In late September, 1843, Charles Dickens was sent a recently-published report on child labour in Britain. It enraged him. He set about writing a response; six weeks later, he was finished. It was published on December 19 and was an instant success. On Christmas Day alone, it sold 6,000 copies

Pat Kinevane’s silent echoes of WB Yeats

Almost a century ago, WB Yeats attempted to revolutionise the modern theatre with a concept so simple it was audacious: he would write plays designed to be staged in people’s drawing rooms.

As Chekhov said, ‘Fuck this’

When actor Conor Madden took a rapier thrust just under his eye during the final scene in Hamlet recently, he joined a long list of actors to whom tragedy on stage has come a little too close for comfort.   The day he was injured, in a production by Second Age, company director Alan Stanford… read more +