Thomas Kilroy’s new play for the Abbey is an awkward work, marred by obviousness and by the tired, cumbersome conceit of relying on twentysomethings to play fifteen-year-olds. And yet it is also a foundation myth for 21st century Ireland, eschewing the minor notes of nuance in favour of the major chords of sweeping social drama…. read more +

A century ago, at the Abbey, a young writer mentioned women’s underwear in a new play, and the audience rioted. Fifty years ago, in the Dublin Theatre Festival, a young director staged a play that involved a condom being thrown on stage, and the director was arrested. Then, last year, in the Dublin Fringe Festival,… read more +

Karl Shiels was very nearly famous. Eleven years ago, he was cast in a new play by an obscure young playwright that was to open the new theatre in Tallaght. Shiels starred alongside Aidan Kelly; the playwright was Mark O’Rowe and the play was Howie the Rookie, and it was the most ferocious piece of… read more +

“I was a convicted criminal at the age of two.” Michael Kennedy, a costumier by trade, has a story to tell. “I was found wandering in Killenaule, Tipperary.” Soft-spoken and gentle mannered, Kennedy spent his working life backstage at the best theatres and opera houses. But that’s not the story. “My mother had died, and… read more +