As the media and political system obsessed with the question of Irish sovereignty, late last year, in one area at least we were still in control of affairs, and running them well. Irish theatre had a good year, one of the best in my time covering it. Theatre companies responded to more difficult circumstances with… read more +

Ten years ago, the British theatre impresario Michael Kustow issued an impassioned plea for the theatre, in a book with the now quaint title, ‘Theatre@Risk’. Faced with the overwhelming forces of both the internet and global capital, Kustow wondered, would theatre survive? It seemed for a while during this decade that Irish theatre makers were… read more +

It was any girl’s dream: young Molly Allgood, just 19 years old, an assistant at Switzer’s drapery, was about to make her debut on the Abbey stage. As she waited nervously in the wings, the stage manager called out, “beginners please”. And Molly dissolved in tears. It was the conventional call for the actors to… read more +