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Review: Bernard Farrell’s Bookworms

Bernard Farrell launched his career over 30 years ago with a farce about six people at a group therapy session, I Do Not Like Thee Dr Fell. In Bookworms, literature has replaced therapy, but the form is the same, and so is the intent: to poke fun at the foibles of the age. The book… read more +

Review: The 39 Steps

The 39 Steps is a classic adventure novel by John Buchan, and an early but influential thriller by Alfred Hitchcock, and now a witty stage play paying irreverent homage to both. Richard Hannay is the dashing, pencil-moustached hero, unwittingly caught up in an espionage adventure when he tries to protect a beautiful, mysterious foreign agent… read more +

The Theatre Upstairs: Au revoir

Karl Shiels is a broken man. It wasn’t the six-month, unpaid labour of love installing Dublin’s newest fringe theatre, the Theatre Upstairs at the Plough pub on Abbey St, that broke him. The excitement in the theatre community and rave reviews had long since repaid that. It wasn’t the bleak midwinter, when burst pipes cut… read more +

Irish theatre, child abuse, and The Kiss

“Inside the mind of a paedophile,” said the headline last Sunday. The article, by the Sunday Tribune’s Ali Bracken, told the story of the serial abuse of children by the California-based Irish priest, Oliver O’Grady – in his own words. It was “the affection of the hugging,” that O’Grady particularly enjoyed; it “awakened within me… read more +

The Evidence I Shall Give at the Abbey

One day at the dawn of the 1960s, a remarkable script landed on the desk of the director of the Abbey Theatre, Ernest Blythe. Blythe was in his 70s. He had retired from politics almost 30 years earlier, and had been managing director of the Abbey for 20. His was a staid directorship, and the… read more +

Review: Macbeth at the Abbey

‘Macbeth’ is the everyman’s tragedy. He lacks the nobility of Othello, the intellect of Hamlet, the authority of Lear. He is Shakespeare’s premonition of Tony Soprano – always in slightly above his head, struggling to catch up, resorting to horrific violence in a bid to assert himself over a fate he can’t quite master. For… read more +

Dublin’s new Grand Canal Theatre: a public-private partnership

They say you need your bad luck to strike during the dress rehearsal, at the latest. The dress rehearsal for Swan Lake went smoothly. On opening night, over 2,000 people mingled in the foyer and bars of the new Grand Canal Theatre, celeb-spotting or simply being celebs. The staff, who had been practicing their drills… read more +

Time for a new Tribunal

Eamon de Valera once said that if he wished to know what the people of Ireland were thinking, he had to simply look into his heart. Today, the politicians prefer to rely on polls to know what the people are thinking, while de Valera’s role as a moral grandstander has been largely usurped by my… read more +

Interview with playwright Michael Harding

Michael Harding was going to be a priest. It was the era of Vatican II, of liberation theology, or worker priests pursuing social justice. The church, he thought, was the place to be. He was already, by passion, a writer. Aged 14, he was given a manual typewriter by his uncle, and knew that was… read more +

Review: Swan Lake at the new Grand Canal Theatre

The gleaming new Grand Canal Theatre in the Docklands may have a kitsch extravagance to it (notably in the outdoor lighting), but it does what it’s supposed to, and does it superbly: the sightlines are excellent, the auditorium a fine blend of tradition and technology, the towering proscenium arch beautifully set. After the indignities of… read more +